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Showing posts with the label biophilia

The Landscape Of Björk. Part Two: Shapeshifting

It was Carlos Castaneda who first introduced me to the term 'shapeshifting'. At fourteen I was given the first book in the series, The Teachings of Don Juan: A Yaqui Way of Knowledge. Books, which today are hotly debated as to whether they are fiction or not, but books which nonetheless had a huge impact on my concept of the world. I remember distinctly feeling that there had to be truth in the concept of alternate realities. While I can not claim to have ever seen anyone shapeshift, I certainly have had my own personal share of unexplainable occurrences that transpire when I am sleeping and which come to fruition upon waking. They are always centered around death. I dream about someone specific, wake, and find they have recently died. I believe when people die, the spirit as we understand it, visits the people that have meant something to the departing life. Of course they are people close to me in some manner or having had some great impact upon me. They are never people I se...

The Landscape Of Björk. Part One: The Constituents.

Unlike my previous blog entry, The Revolution Is Being Televised , experiencing and understanding Björk's music takes some effort to fully appreciate what it is that you are witnessing and hearing. I will venture to say that even if you are one that claims to be baffled by her or her music you will still be unable to look away from her videos for they are unlike any music videos made. They are experimental conceptual art films often directed by cutting edge directors. One of the aspects of poplar music that makes it memorable or catchy, moving it into the 'standard' arena, is how often it is covered and/or interpreted by other musicians. We may not like a given piece performed by artist A, but we are able to rehear it, and love the interpretation of artist F. Maybe we eventually fall in love with a piece of music when it is finally presented as an instrumental piece and we are left to explore it without lingual interference. More often, many of us use music to highli...